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The Muse Thalia

Thalia (Thaleia) the "Flourishing" is the muse of comedy and of playful and idyllic poetry, and is seen with a comic mask. She is sometimes seen with a crown of ivy and a crook. By Apollo, Thalia had the Corybantes, priests who castrated themselves in identification with the goddess, Cybele.

How light the strain when, decked in vernal bloom,
Thalia tuned her lyre of melody

Thalia
Jean-Marc Nattier
French, 1685 - 1766
Thalia, Muse of Comedy (Silvia Balletti?),
1739, oil on canvas
Mildred Anna Williams Collection

Thalia

WHERE be the sweete delights of learnings treasure,
That wont with Comick sock to beautefie
The painted Theaters, and fill with pleasure
The listners eyes, and eares with melodie;
In which I late was wont to raine as Queene,
And maske in mirth with Graces well beseene?

O all is gone, and all that goodly glee,
Which wont to be the glorie of gay wits,
Is layd abed, and no where now to see;
And in her roome vnseemly Sorrow sits,
With hollow browes and greisly countenaunce,
Marring my ioyous gentle dalliaunce.

And him beside sits ugly Barbarisme,
And brutish Ignorance, ycrept of late
Out of dredd darknes of the deepe Abysme,
Where being bredd, he light and heauen does hate:
They in the mindes of men now tyrannize,
And the faire Scene with rudenes foule disguize.

All places they with follie haue possest,
And with vaine toyes the vulgare entertaine;
But me haue banished, with all the rest
That whilome wont to wait vpon my traine,
Fine Counterfesaunce, and vnhurtfull Sport,
Delight, and Laughter deckt in seemly sort.

All these and all that els the Comick Stage
With season'd wit and goodly pleasance graced;
By which mans life in his likest image
Was limned forth, are wholly now defaced;
And those sweete wits which wont the like to frame,
Are now despizd, and made a laughing game.

And he the man, whom Nature selfe had made
To mock her selfe, and Truth to imitate,
With kindly counter vnder Mimick shade,
Our pleasant Willy, ah is dead of late:
With whom all ioy and iolly meriment
Is also deaded, and in dolour drent.

In stead thereof scoffing Scurrilitie,
And scornfull Follie with Contempt is crept,
Rolling in rymes of shameles ribaudrie
Without regard, or due Decorum kept,
Each idle wit at will presumes to make,
And doth the Learneds taske vpon him take.

But that same gentle Spirit, from whose pen
Large streames of honnie and sweete Nectar flowe,
Scorning the boldnes of such base-borne men,
Which dare their follies forth so rashlie throwe;
Doth rather choose to sit in idle Cell,
Than so himselfe to mockerie to sell.

So am I made the seruant of the manie,
And laughing stocke of all that list to scorne,
Not honored nor cared for of anie;
But loath'd of losels as a thing forlorne:
Therefore I mourne and sorrow with the rest,
Vntill my cause of sorrow be redrest.

There with she lowdly did lament and shrike,
Pouring forth stremes of teares abundantly,
And all her Sisters with compassion like,
The breaches of her singul[t]s did supply.
So rested she: and then the next in rew
Began her grieuous plaint, as doth ensew.

from "The Teares of the Muses"
by Edmund Spenser, 1591

Thalia
Thalia seated, Roman, 2nd century A.D.
Hadrianic Period
Vatican Museums
The Pio-Clementine Museum

Glass engraving ofThalia
Glass Engraving of Thalia
by John Hutton

Thalia tarot card
Thalia, Italian Tarocchi (tarot) cards, 15th century

Thalia

A Rare Carved and Painted Pine Theatrical Carving of a Goddess, American, Probably Maine, Third quarter 19th century. The seated figure of a red-haired goddess wearing a diadem and a blue gown, seated on a scrolled socle device carved in the form of the masks of tragedy and comedy. 41" high.

Calliope Clio Erato Euterpe

Melpomene Polyhymnia Terpsichore Thalia Urania

Circle of the Muses